{"id":7412,"date":"2026-04-26T14:04:01","date_gmt":"2026-04-26T14:04:01","guid":{"rendered":"https:\/\/thedigitalweekly.com\/martin-scorsese-odio-la-pelicula-que-le-dio-el-mejor-director\/"},"modified":"2026-04-26T14:04:01","modified_gmt":"2026-04-26T14:04:01","slug":"martin-scorsese-odio-la-pelicula-que-le-dio-el-mejor-director","status":"publish","type":"post","link":"https:\/\/thedigitalweekly.com\/es\/martin-scorsese-odio-la-pelicula-que-le-dio-el-mejor-director\/","title":{"rendered":"Martin Scorsese odi\u00f3 la pel\u00edcula que le dio el mejor director"},"content":{"rendered":"<article>\n<p>Martin Scorsese finalmente gan\u00f3 el Premio de la Academia al Mejor Director con The Departed en los 79o Oscars el 25 de febrero de 2007, pero la iron\u00eda es dif\u00edcil de perder: ha descrito abiertamente hacer la pel\u00edcula, especialmente su post-producci\u00f3n, como una experiencia profundamente desagradable. Esa tensi\u00f3n da la historia mordedura real. La pel\u00edcula entreg\u00f3 el hito de la carrera que muchos pensaban deber\u00edan haber llegado a\u00f1os antes, pero Scorsese mismo no parec\u00eda ver la producci\u00f3n como un alto creativo triunfante. En lugar de eso, era un camino de brusca a su \u00fanico Oscar.<\/p>\n<h2>La extra\u00f1a contradicci\u00f3n en el centro de la historia del Oscar de Scorsese<\/h2>\n<p>Durante d\u00e9cadas, Martin Scorsese fue tratado como uno de los mejores directores vivos del cine americano sin tener un Mejor Director Oscar competitivo para mostrar por ello. Ya hab\u00eda hecho Mean Streets, Taxi Driver, Raging Bull, Goodfellas, Casino, Gangs of New York y The Aviator antes de que la Academia finalmente le otorg\u00f3 por The Departed. La pel\u00edcula gan\u00f3 cuatro Oscars en total en la ceremonia celebrada el 25 de febrero de 2007: Best Picture, Best Director, Best Adapted Screenplay y Best Film Editing. Esa victoria sigue siendo su \u00fanica victoria personal de Mejor Director. <\/p>\n<div class=\"wp-block-embed article-embed\">\n<blockquote class=\"twitter-tweet\" data-dnt=\"true\" data-width=\"550\">\n<p dir=\"ltr\" lang=\"en\">Quentin Tarantino dice \u201cMartin Scorsese no ha hecho una pel\u00edcula tan emocionante como la \u2018SIDE STORY\u2019 de Spielberg este siglo\u201d.<\/p>\n<p>(Via: The Bret Easton Ellis Podcast) pic.twitter.com\/4AsUOaizEN<\/p>\n<p>\u2014 The Hollywood Handle (@HollywoodHandle) <a href=\"https:\/\/twitter.com\/HollywoodHandle\/status\/1994964039823495270?ref_src=twsrc%5Etfw\">30 de noviembre de 2025<\/a><\/p>\n<\/blockquote>\n<p><script async=\"\" charset=\"utf-8\" src=\"https:\/\/platform.twitter.com\/widgets.js\"><\/script><\/p>\n<\/div>\n<p>Lo que hace que esa victoria sea tan fascinante es que Scorsese no enmarcaba a Los Departados como una producci\u00f3n alegre o liberadora. Reporting on comments attributed to him from an interview with the Hamilton Spectator, later highlighted by multiple entertainment outlets, noted that he found the process of making the film \u201cparticularly the post-production\u201d highly unpleasant. Otra cobertura resumi\u00f3 la producci\u00f3n como horrible o agotadora para \u00e9l, destacando la presi\u00f3n creada por la escala, el ritmo y el montaje complicado de la pel\u00edcula. <\/p>\n<p>Ese es el gancho. No es que Scorsese no le guste la pel\u00edcula terminada de alguna manera simplista, pero que la experiencia de hacerlo lo agot\u00f3. Hay una diferencia, y importa. Muchos directores luchan a trav\u00e9s de producciones dif\u00edciles. En el caso de Scorsese, la pel\u00edcula dif\u00edcil se convirti\u00f3 en la que la Academia no pod\u00eda ignorar.<\/p>\n<h2>\u00bfPor qu\u00e9 The Departed se convirti\u00f3 en la pel\u00edcula que la Academia abraz\u00f3<\/h2>\n<p>The Departed arrived in 2006 as a remake of the 2002 Hong Kong crime thriller Infernal Affairs, but it did not feel like a routine remake. Scorsese lo convirti\u00f3 en un drama criminal de Boston duro con un gran conjunto que inclu\u00eda Leonardo DiCaprio, Matt Damon, Jack Nicholson y Mark Wahlberg. Ten\u00eda poder estelar, respaldo de estudio, edici\u00f3n propulsiva y un motor narrativo que era m\u00e1s f\u00e1cil para los votantes de amplios premios a aferrarse que algunos de sus pel\u00edculas m\u00e1s desafiantes espiritual o estructuralmente. <\/p>\n<div class=\"wp-block-embed article-embed\">\n<blockquote class=\"reddit-embed-bq\" style=\"height:316px\">\n<p><a href=\"https:\/\/www.reddit.com\/r\/MartinScorsese\/comments\/1sm9j7h\/i_think_the_last_waltz_hurt_martin_scorseses\/\">Creo que el \u00faltimo Waltz hizo da\u00f1o a los cambios de Martin Scorsese de ganar mejor director antes.<\/a><br \/> por<a href=\"https:\/\/www.reddit.com\/user\/ComfortableCare8897\/\">U\/ComfortableCare8897<\/a> dentro<a href=\"https:\/\/www.reddit.com\/r\/MartinScorsese\/\">MartinScorsese<\/a><\/p>\n<\/blockquote>\n<p><script async=\"\" charset=\"UTF-8\" src=\"https:\/\/embed.reddit.com\/widgets.js\"><\/script><\/p>\n<\/div>\n<p>Esa accesibilidad es parte de la respuesta. Goodfellas es a menudo citado como una de las pel\u00edculas de g\u00e1nster m\u00e1s grandes jam\u00e1s realizadas, y Raging Bull se clasifica regularmente entre las mejores pel\u00edculas americanas del siglo XX, pero ambos perdieron a Mejor Director. El Departed, por el contrario, golpe\u00f3 un lugar dulce entre el prestigio y el impulso. Fue violento y c\u00ednico, s\u00ed, pero tambi\u00e9n slick, r\u00e1pido e inmediatamente legible como un contendiente de premios mayores. Incluso la larga narrativa de Scorsese \u00d3scar ayud\u00f3. Para 2007, el sentido de que estaba atrasado se hab\u00eda vuelto imposible separarse de la raza misma. <\/p>\n<p>Hay otra capa. La Academia a menudo recompensa no s\u00f3lo una pel\u00edcula, sino un cuerpo de trabajo a trav\u00e9s de una pel\u00edcula. El Salida se benefici\u00f3 de ese patr\u00f3n. No fue simplemente juzgado como un \u00e9xito independiente. Tambi\u00e9n fue el momento en que los a\u00f1os de admiraci\u00f3n, frustraci\u00f3n y reconocimiento retardado finalmente convergieron.<\/p>\n<h2>Los propios comentarios de Scorsese hacen que la victoria sea m\u00e1s reveladora<\/h2>\n<p>Los comentarios de Scorsese sobre la producci\u00f3n son lo que eleva esto de la trivia ordinaria de Oscar en algo m\u00e1s revelador sobre el cine. Seg\u00fan informes posteriores, revisitando el legado de la pel\u00edcula, ten\u00eda \u201cceros expectativas\u201d por sus premios y encontr\u00f3 el drenaje del proceso. Eso no suena como un director haciendo campa\u00f1a alrededor de una obra maestra personal que cre\u00eda que reescribir\u00eda su legado. Suena m\u00e1s como alguien que sobrevivi\u00f3 a un trabajo dif\u00edcil y sigui\u00f3 adelante. <\/p>\n<div class=\"wp-block-embed article-embed\">\n<blockquote class=\"twitter-tweet\" data-dnt=\"true\" data-width=\"550\">\n<p dir=\"ltr\" lang=\"en\">Los 10 mejores m\u00e1s obsesivamente revis\u00f3 Martin Scorsese Films \ud83c\udf82 <\/p>\n<p>\u00a1Feliz cumplea\u00f1os Martin Scorsese! \u00bfCu\u00e1l de sus pel\u00edculas has visto m\u00e1s? pic.twitter.com\/8VJqNsawm<\/p>\n<p>\u2014 Letterboxd (@letterboxd) <a href=\"https:\/\/twitter.com\/letterboxd\/status\/1990463829961216207?ref_src=twsrc%5Etfw\">17 de noviembre de 2025<\/a><\/p>\n<\/blockquote>\n<p><script async=\"\" charset=\"utf-8\" src=\"https:\/\/platform.twitter.com\/widgets.js\"><\/script><\/p>\n<\/div>\n<p>Esa perspectiva tambi\u00e9n se ajusta al patr\u00f3n m\u00e1s amplio de la carrera de Scorsese. A menudo ha hablado m\u00e1s apasionadamente, y m\u00e1s personalmente, sobre pel\u00edculas como Silencio, Toro de Raging, La \u00daltima Temptaci\u00f3n de Cristo, Kundun o Killers de la Luna Flor que nunca tiene acerca de El Salida. El Departado es admirado, y por buena raz\u00f3n, pero rara vez es el primer t\u00edtulo invocado cuando los cr\u00edticos o cinefilias debaten su trabajo m\u00e1s personal. El Oscar no fue necesariamente a la pel\u00edcula que mejor lo define. Fue a la que lleg\u00f3 en el momento adecuado con la combinaci\u00f3n adecuada de artesan\u00eda, impulso y preparaci\u00f3n institucional.<\/p>\n<h2>\u00bfQu\u00e9 hizo la producci\u00f3n tan dif\u00edcil?<\/h2>\n<p>Varios factores parecen haber alimentado la tensi\u00f3n. El Departed es una pel\u00edcula tensa y capa construida sobre enga\u00f1o, reversales y lealtades paralelas. Ese tipo de estructura puede llegar a ser especialmente castigado en la sala de edici\u00f3n, donde el ritmo, la claridad y el suspenso tienen que ser balanceados escena por escena. Scorsese ha sido conocido desde hace mucho tiempo por exigir est\u00e1ndares de postproducci\u00f3n, y los mec\u00e1nicos narrativos de esta pel\u00edcula dejaron poco espacio para el error. Reports revisiting his comments specifically point to post-production as the most unpleasant part of the process. <\/p>\n<div class=\"wp-block-embed article-embed\">\n<blockquote class=\"twitter-tweet\" data-dnt=\"true\" data-width=\"550\">\n<p dir=\"ltr\" lang=\"en\">Despu\u00e9s de cinco nominaciones y d\u00e9cadas de redefinir el cine, Martin Scorsese finalmente gan\u00f3 su primer Oscar para el Mejor Director y Mejor Fotos con El Partido en 2007. <\/p>\n<p>El momento hist\u00f3rico se hizo a\u00fan m\u00e1s especial cuando el Oscar fue presentado por sus amigos y compa\u00f1eros&#8230; pic.twitter.com\/nurOjA1kTb<\/p>\n<p>\u2014 Films to Films (@filmstofilms ) <a href=\"https:\/\/twitter.com\/filmstofilms_\/status\/2027551838916993091?ref_src=twsrc%5Etfw\">28 de febrero, 2026<\/a><\/p>\n<\/blockquote>\n<p><script async=\"\" charset=\"utf-8\" src=\"https:\/\/platform.twitter.com\/widgets.js\"><\/script><\/p>\n<\/div>\n<p>Tambi\u00e9n hab\u00eda historias de fricci\u00f3n e intensidad alrededor de la producci\u00f3n. Mark Wahlberg discuti\u00f3 m\u00e1s tarde chocando con Scorsese durante el rodaje, un recordatorio de que incluso juegos exitosos pueden ser combustibles cuando personalidades fuertes y altas expectativas chocan. Eso no significa que la producci\u00f3n fuera \u00fanicamente ca\u00f3tica por los est\u00e1ndares de Hollywood, pero apoya la idea de que The Departed no era una m\u00e1quina de premios sin esfuerzo desde el interior. <\/p>\n<p>Luego estaba el contexto del estudio. Scorsese m\u00e1s tarde record\u00f3 que Warner Bros. ten\u00eda inter\u00e9s en el potencial de franquicia alrededor de The Departed, una noci\u00f3n que claramente no se alineaba con su sensibilidad. Esa an\u00e9cdota es reveladora porque muestra c\u00f3mo las presiones comerciales podr\u00edan entrometerse incluso en una pel\u00edcula que ahora parece, en retrospectiva, como un cl\u00e1sico del crimen de prestigio. <\/p>\n<h2>Por qu\u00e9 el Oscar todav\u00eda importa, incluso si la pel\u00edcula fue una experiencia dolorosa<\/h2>\n<p>La victoria importa porque cerr\u00f3 una de las brechas m\u00e1s discutidas en la historia de los premios modernos. Antes de The Departed, Scorsese hab\u00eda sido nominado varias veces y perdido a directores como Robert Redford y Clint Eastwood. Para cuando gan\u00f3, el premio se hab\u00eda convertido en m\u00e1s de una temporada. Se trataba de corregir un registro que muchos cre\u00edan que hab\u00eda sido incompleto durante a\u00f1os. <\/p>\n<p>Pero la historia tambi\u00e9n importa porque empuja hacia atr\u00e1s contra una suposici\u00f3n perezosa: que otorga validaci\u00f3n y satisfacci\u00f3n art\u00edstica siempre se alinean. No lo hacen. A veces la pel\u00edcula que consigue el trofeo no es la que se sent\u00eda m\u00e1s natural para hacer, o la que el director mantiene m\u00e1s cerca. En el caso de Scorsese, la Academia coronaba una pel\u00edcula por la que luchaba. Eso hace que la victoria sea m\u00e1s humana, no menos. Nos recuerda que el gran trabajo puede surgir de la frustraci\u00f3n, la fatiga y la resistencia.<\/p>\n<h2>C\u00f3mo encaja el legado de Scorsese ahora<\/h2>\n<p>El Departed sigue siendo una pel\u00edcula importante en la carrera de Scorsese, pero su lugar es inusual. Es hist\u00f3ricamente importante porque le gan\u00f3 el mejor director. Es comercialmente significativo porque se convirti\u00f3 en uno de sus mayores \u00e9xitos principales. Sin embargo, tambi\u00e9n se encuentra ligeramente separado de las pel\u00edculas m\u00e1s a menudo descritas como sus declaraciones personales m\u00e1s profundas. Esa divisi\u00f3n es exactamente por qu\u00e9 la historia permanece. La pel\u00edcula que le trajo el m\u00e1s alto honor directo de la industria no era la que parec\u00eda apreciar m\u00e1s en la fabricaci\u00f3n.<\/p>\n<p>Eso no disminuye a los partidos. Si algo, agudiza el reconocimiento por ello. La pel\u00edcula es magra, brutal, divertida y experta. Le dio a la Academia una versi\u00f3n de Scorsese que pod\u00edan recompensar sin dudarlo. Sin embargo, la iron\u00eda permanece intacta: despu\u00e9s de una carrera llena de hitos, el que finalmente lo consigui\u00f3 sobre la l\u00ednea era una pel\u00edcula que no le gustaba hacer.<\/p>\n<h2>Preguntas frecuentes<\/h2>\n<h3>\u00bfQu\u00e9 pel\u00edcula gan\u00f3 a Martin Scorsese su \u00fanico Mejor Director Oscar?<\/h3>\n<p>The Departed won Martin Scorsese the Academy Award for Best Director at the 79th Oscars on February 25, 2007. La pel\u00edcula tambi\u00e9n gan\u00f3 Best Picture, Best Adapted Screenplay y Best Film Editing. <\/p>\n<h3>\u00bfMartin Scorsese realmente odiaba hacer a los partidos?<\/h3>\n<p>Los informes publicados que resumen los comentarios de Scorsese dicen que encontr\u00f3 hacer la pel\u00edcula, especialmente el proceso post-producci\u00f3n, muy desagradable. Eso no significa necesariamente que odiara la pel\u00edcula final, pero s\u00ed indica que la experiencia de producci\u00f3n fue dif\u00edcil y drenante para \u00e9l. <\/p>\n<h3>\u00bfPor qu\u00e9 The Departed es una pel\u00edcula tan importante en su carrera?<\/h3>\n<p>Es la pel\u00edcula que finalmente le gan\u00f3 un premio Mejor Director Oscar despu\u00e9s de a\u00f1os de trabajo aclamado y m\u00faltiples nominaciones. Tambi\u00e9n gan\u00f3 Best Picture, convirti\u00e9ndose en una de las pel\u00edculas m\u00e1s exitosas de su carrera. <\/p>\n<h3>\u00bfLa parte consider\u00f3 la mejor pel\u00edcula de Scorsese por los cr\u00edticos?<\/h3>\n<p>No universalmente. Muchos cr\u00edticos y fans de cine apuntan m\u00e1s a Raging Bull, Taxi Driver o Goodfellas como los picos definitorios de su carrera. El Departed es muy considerado, pero su \u00e9xito de Oscar se ve a menudo como una recompensa para la pel\u00edcula misma y un reconocimiento del cuerpo de trabajo m\u00e1s amplio de Scorsese. <\/p>\n<h3>\u00bfPor qu\u00e9 la Academia premia a los Departados en lugar de los cl\u00e1sicos anteriores?<\/h3>\n<p>Los premios jugaron un papel importante. El Departado era accesible, impulsado por estrellas y lleg\u00f3 cuando el sentido de que Scorsese estaba atrasado se hab\u00eda vuelto abrumador. En ese sentido, la victoria reflejaba tanto las fortalezas de la pel\u00edcula como el deseo de la Academia de honrar finalmente a uno de los directores m\u00e1s famosos del cine. <\/p>\n<\/article>\n","protected":false},"excerpt":{"rendered":"<p>Descubre por qu\u00e9 Martin Scorsese odiaba hacer la \u00fanica pel\u00edcula que le gan\u00f3 un Mejor Director Oscar. Explore la historia detr\u00e1s de la galardonada pel\u00edcula \u2713<\/p>\n","protected":false},"author":2,"featured_media":3739,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_yoast_wpseo_focuskw":"","_yoast_wpseo_title":"","_yoast_wpseo_metadesc":"Descubre por qu\u00e9 Martin Scorsese odiaba hacer la \u00fanica pel\u00edcula que le gan\u00f3 un Mejor Director Oscar. Explore la historia detr\u00e1s de la galardonada pel\u00edcula \u2713","_tdw_ai_brief_tldr":"Martin Scorsese won his only Best Director Oscar for The Departed in 2007, despite finding the film's production, particularly post-production, deeply unpleasant.","_tdw_ai_brief_keypoints":"[\"The Departed won four Oscars on February 25, 2007: Best Picture, Best Director, Best Adapted Screenplay, and Best Film Editing.\",\"Scorsese described the post-production process as particularly unpleasant and reported having zero expectations for awards.\",\"The film succeeded where earlier acclaimed works like Raging Bull and Goodfellas failed because it balanced prestige with accessibility and commercial appeal.\",\"Production difficulties included complex editing demands, friction with cast members, and studio pressure regarding franchise potential from Warner Bros.\"]","_tdw_ai_brief_speakable":"Martin Scorsese finally won his first Best Director Oscar for The Departed in 2007, but here's the twist: he found making the film, especially editing it, deeply unpleasant. The movie won four Academy Awards that night, but Scorsese himself didn't see it as a creative triumph. It arrived at the right moment with the right combination of star power and accessibility, rewarding not just the film but his entire body of work.","_tdw_ai_brief_meta":"{\"model\":\"claude-haiku-4-5\",\"input_tokens\":3414,\"output_tokens\":307,\"cost_usd\":0.003959,\"generated_at\":\"2026-06-20 12:48:23\",\"confidence\":\"high\"}","_tdw_ai_brief_content_hash":"d653fcfc112130ae8689a1106fec5f3b","_tdw_ai_brief_locked":false,"_tdw_ai_brief_skip":false,"footnotes":""},"categories":[71],"tags":[],"class_list":["post-7412","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Martin Scorsese odi\u00f3 la pel\u00edcula que le dio el mejor director - The Digital Weekly<\/title>\n<meta name=\"description\" content=\"Descubre por qu\u00e9 Martin Scorsese odiaba hacer la \u00fanica pel\u00edcula que le gan\u00f3 un Mejor Director Oscar. 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