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Wonder Woman Prequel Series Officially Advances With New Writing Team

Wonder Woman prequel series officially moves forward with new writers, Kira Snyder and Janet Lin, as DC Studios confirms fresh development and a 2027-2028 release window.

Wonder Woman Prequel Series Officially Advances With New Writing Team

Wonder Woman’s prequel series, tentatively titled Paradise Lost, is finally getting traction at DC Studios. Kira Snyder and Janet Lin have joined as the new writers, Collider and Writers Guild of America database listings confirm. Their involvement comes after a long period of uncertainty. Snyder brings experience from The Handmaid’s Tale and The 100. Lin’s credits include Bridgerton and Bones. Together, they’re steering the series into active development and targeting a 2027-2028 streaming debut on Max.

— James Gunn, at

“He clarified that Wonder Woman (and not Paradise Lost) is “being written right now.””.

— James Gunn, at

After months of waiting, 3Dvfrevealed on June 9, 2026, that Kira Snyder and Janet Lin would be steering the creative vision for Paradise Lost. Snyder’s notable background spans producing and writing for high-profile shows like The Handmaid’s Tale and The 100. But it’s Lin’s acclaimed contributions to Bridgerton’s first season and procedural hit Bones that round out a team known for sharp character dynamics. That combination of distinctive, character-driven storytelling from both writers is already fueling high expectations for the new DC project.

Collider notes their experience likely means a more sophisticated tone for the series—one that digs into political intrigue and the complicated society of Themyscira, all set long before Diana Prince’s birth. Now that Snyder and Lin are officially attached according to Writers Guild of America records, the project’s emerged from development limbo and moved into active scripting—a substantial milestone for DC’s production calendar and long-term planning


What We Know About Paradise Lost

Paradise Lost is billed as a historical prequel set on Themyscira, the legendary island where the Amazons reside. As Screen Rantdetails, that’s also the fabled birthplace of Wonder Woman herself. This new series promises to plunge into the island’s web of political intrigue, exploring the power struggles and societal tensions long before Diana’s arrival. Paradise Lost will stand apart from recent DC Studios adaptations by fully embracing an epic, female-led narrative.

It’s not just action—the show is expected to take tonal inspiration from Game ofThrones, weaving together drama and high-stakes diplomacy. Since DC Studios first announced the project in January 2023, president James Gunn has repeatedly reaffirmed its central role in the next phase of the DC Universe slate—underscoring its importance as a key piece of world-building that predates Diana’s heroics.


A Heroine’s Long-Awaited Return

This forward movement on Paradise Lost, as 3Dvf explains, is crucial for Wonder Woman’s presence in the newly mapped DC Universe. Along with this series, the studio is prepping major titles such as The Authority and Man of Tomorrow for release next summer. DC fans have noted the absence of Gal Gadot—who played the cinematic Wonder Woman—in this prequel. There’s a reboot movie reportedly in early development as well. But the show isn’t just about nostalgia. It’s foundational for understanding the mythos behind the iconic superhero, laying the groundwork for Wonder Woman’s legacy and expanding the lore surrounding Themyscira and the Amazons. The Wonder Woman brand is hugely important to Warner Bros.—with the first movie drawing $618.7 million at the global box office.


Timeline: From Initial Announcement to Active Development

Back in January 2023, DC Studios unveiled Paradise Lost as part of an early push to expand the backstories of iconic characters beyond just big-screen blockbusters, Screen Rant notes. Through 2024 and most of 2025, updates were scarce—sparking rumors that the project might be quietly canceled. Then, in early 2026, James Gunn publicly addressed fans’ concerns and insisted Paradise Lost was in “extreme development,” as reported by Collider. The real breakthrough came in June 2026 when Writers Guild of America entries listed Snyder and Lin as the writing team, a fact 3Dvf quickly confirmed.


Creative Team: Backgrounds and Expectations

Kira Snyder’s career includes high-profile gigs on series like The Handmaid’s Tale—a show that set new standards for dystopian feminist storytelling and snagged multiple industry awards, Colliderreports. She also made her mark with The 100, blending ensemble drama and intricate world-building. Janet Lin, for her part, helped launch Bridgerton’s smash-hit debut by developing world-building and sharp interpersonal dynamics. Her previous work on Bones brought a procedural sophistication that kept viewers hooked season after season. Bringing the pair together is no accident—it’s a deliberate pivot for DC, promising richer character arcs and deeper sociopolitical themes in future DC Universe stories. Their union is a calculated move.


What Lies Ahead for Wonder Woman and DC Studios

According to Screen Rant, DC Studios is working on a full Wonder Woman reboot for theaters—running parallel to the Paradise Lost prequel. At the same time, new adaptations of Superman (Man of Tomorrow) and The Authority are coming to screens, showing that the studio isn’t slowing down. Collider’s franchise analysis puts the Wonder Woman universe at the heart of DC’s interconnected storytelling approach, emphasizing the importance of letting both standalone series and films flourish inside a shared mythology. Gal Gadot’s exit, along with the absence of any current casting for Paradise Lost, means the search for fresh on-screen Amazons is already underway. With the series pushing toward a 2027 or 2028 release and a live-action reboot movie in early talks, Wonder Woman’s legacy won’t be confined to just one actress or era—it’s growing well beyond what fans ever imagined.


Industry Context and Forward Implications

The development of Paradise Lost underscores DC Studios’ determination to broaden its narrative scope beyond classic superhero action—to mythic origins and generational drama. According to 3Dvf, choosing a female-led writing team didn’t happen by accident. It reflects DC’s response to evolving cultural debates about power, leadership, and heroism. Their decision to recruit seasoned showrunners from hits like The Handmaid’s Tale and Bridgerton isn’t just for optics—it boosts confidence in the series’ creative ambition and its chances for marketplace success. Franchise insiders point out that Paradise Lost is more than just DC’s bid for towering ratings on Max. It’s also a litmus test for how well the studio can usher in a new era after Gal Gadot—success or failure will hinge on the scripts and casting to come.

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